top of page

Keisha Scarville

Biography

Keisha Scarville was born in Brooklyn, New York, to Guyanese parents who immigrated to the United States in the 1960s. Scarville is a photographer and mixed-media artist whose practice combines photography, collage, textiles, and archival materials to examine migration, memory, absence, family history, and belonging. Scarville is based in Brooklyn and is also a faculty member at Parsons School of Design and a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University.


Scarville's work includes Mama's Clothes, which incorporates garments belonging to her late mother, and Passports, an ongoing series developed from her father's childhood passport photograph from Guyana. Her first book, lick of tongue, rub of finger, on soft wound, was published by MACK in 2023 and brings together photography, archival imagery, collage, personal texts, and film stills to explore Black diasporic histories and questions of identity and belonging.


In 2026, Scarville received the Brooklyn Museum's UOVO Prize, which recognizes emerging Brooklyn-based artists. Her resulting installation, Where Salt Meets Black Water, draws on family photographs, her mother's garments, and her Caribbean heritage to consider migration, memory, loss, healing, and shared belonging.


Scarville has also publicly reflected on seeking queer spaces created by and for communities of color. This self-described connection to queer community provides context for her inclusion in the BQW archive.


BQW Impact

Scarville's work brings together Black womanhood, Caribbean diaspora, family history, and queer community within a contemporary photographic practice. Her use of personal archives and inherited objects turns intimate family histories into broader reflections on migration, belonging, memory, and cultural inheritance.


Her significance to the BQW archive also lies in the way her practice connects personal and diasporic histories with contemporary Black visual culture. Projects such as Mama's Clothes and Passports demonstrate how photography and archival intervention can preserve stories of migration and family while examining how identity is represented and remembered.


Notable Works
  • Mama's Clothes (Ongoing)

    Uses garments belonging to Scarville's late mother as photographic material to explore memory, loss, family history, and belonging.

  • Li/mb (2021)

    Explores movement, the Black body, cultural identity, and Scarville's relationship to Guyanese and American spaces.

  • lick of tongue, rub of finger, on soft wound (2023)

    Scarville's first book, combining photographs, archival imagery, collage, personal texts, and film stills to explore Black diasporic histories and identity.

  • Passports (2012 - 2025)

    Ongoing series built from Scarville's father's childhood Guyanese passport photograph, using altered reproductions to explore migration, identity, memory, and becoming American.

  • Where Salt Meets Black Water (2026)

    Large-scale Brooklyn Museum installation drawing on family photographs and her mother's garments to reflect on Caribbean diaspora, migration, loss, healing, and belonging.

Learn More
bottom of page